{"title":"for the art of living","description":"\u003cp class=\"p2\"\u003eFor the person who finds pleasure in the everyday, surrounds themselves with beautiful things and knows that the little details matter.\u003c\/p\u003e","products":[{"product_id":"set-of-six-dss-stacking-chairs-by-charles-ray-eames-for-vitra-1950s-usa","title":"'DSS' Stacking Chairs in Elephant Grey by Charles \u0026 Ray Eames for Vitra, USA (5 available)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan\u003e ‘DSS’ Stacking Chairs by Charles \u0026amp; Ray Eames for Vitra, Elephant Grey, 2015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDSS stacking chairs designed by Charles and Ray Eames and manufactured by Vitra in 2015, with moulded plastic shells in \u003c\/span\u003e\u003cspan\u003eElephant Grey\u003c\/span\u003e\u003cspan\u003e and chromed steel stacking bases.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Eames shell chair began life in the late 1940s, when Charles and Ray Eames were exploring how to create a comfortable chair from a single moulded form. First produced in fibreglass in 1950, the design developed into an extensive family of chairs using the same basic shell with different bases depending on how and where the chair was intended to be used.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eDSS\u003c\/span\u003e\u003cspan\u003e, introduced in the 1950s, stands for \u003c\/span\u003e\u003cspan\u003eDining Height Side Chair Stacking Base\u003c\/span\u003e\u003cspan\u003e. Its distinctive steel base was designed specifically so that the chairs could be stacked efficiently, making them particularly suitable for schools, offices, meeting rooms and other public spaces. The bases can also be linked together to create rows of seating.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese later Vitra examples use moulded plastic rather than the fibreglass of the earliest Eames chairs. The material gives the shell a smooth, even surface while retaining the same curved profile and proportions of Charles and Ray Eames’ original design. The Elephant Grey works particularly well with the chromed steel bases.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe chairs were manufactured in 2015 and retain their Vitra manufacturer’s markings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome minor scratches and scuffs consistent with age and use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigners:\u003c\/span\u003e\u003cspan\u003e Charles \u0026amp; Ray Eames\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eManufacturer:\u003c\/span\u003e\u003cspan\u003e Vitra\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eModel:\u003c\/span\u003e\u003cspan\u003e DSS - Dining Height Side Chair Stacking Base\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eDate:\u003c\/span\u003e\u003cspan\u003e 2015\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eColour:\u003c\/span\u003e\u003cspan\u003e Elephant Grey\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eMaterials:\u003c\/span\u003e\u003cspan\u003e Moulded plastic and chromed steel\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eQuantity:\u003c\/span\u003e\u003cspan\u003e Five available\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eWidth 57 cm\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eDepth 46 cm\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eHeight 80.5 cm\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eSeat height 45 cm\u003c\/span\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":55945683599744,"sku":"","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/EMILY_DICKS_PHOTO_C-316.jpg?v=1746789220"},{"product_id":"finn-juhl-58-chair-watercolour-print-framed","title":"Large Finn Juhl '58 Chair' Watercolour Print, Framed","description":"\u003cp\u003e\u003cspan\u003eFinn Juhl ‘58 Chair’ Watercolour Study Print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Ordrupgaard Museum, Denmark\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis framed print reproduces a watercolour study by Danish designer and architect Finn Juhl (1912–1989) showing the celebrated ‘58 Chair’ from several angles. Juhl frequently used watercolour and gouache to explore ideas before production, allowing him to refine proportion, structure and the sculptural quality that defines his furniture. The drawing captures the chair’s distinctive form, the floating seat and backrest supported by a refined timber frame, a composition that reflects Juhl’s lifelong interest in the relationship between furniture and the human body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrained as an architect at the Royal Danish Academy of Fine Arts, Juhl became one of the central figures of Danish modern design. His work broke away from strict functionalism, introducing a more expressive and organic language to mid-century furniture. Designs such as the Pelican Chair (1940), Chieftain Chair (1949) and the ‘58 Chair’ demonstrate his sculptural approach, where individual elements appear almost separate from the frame yet work together as a balanced whole.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original drawing referenced on the print was prepared for the 1953 Cabinetmakers’ Guild Exhibition in Copenhagen, where Danish designers and cabinetmakers presented experimental and forward-looking furniture. These exhibitions were instrumental in establishing Denmark’s international reputation for furniture design during the mid-twentieth century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis example has been newly framed with museum-grade art glass, giving the print a clean, calm presentation suitable for both modern and mid-century interiors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDetails\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrame size: 77 × 59 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: Ordrupgaard Museum, Denmark\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMedium: Printed reproduction of a Finn Juhl watercolour study\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNewly framed with art glass\u003c\/span\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":56141718258048,"sku":"","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/EMILYDICKSPHOTOC-610.jpg?v=1750949046"},{"product_id":"cari-zalloni-austrian-1937-2012-for-steuler-keramik-west-german-pottery-vase","title":"Pottery Vase by Cari Zalloni for Steuler Keramik (West Germany) 1970s","description":"\u003cp\u003eCari Zalloni \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(Austrian 1937-2012) \u003c\/span\u003efor Steuler Keramik - Vase, Shape 236\/25\u003cbr\u003eWest Germany, c.1970s\u003cbr\u003eHeight: 25cm\u003c\/p\u003e\n\u003cp\u003eA sculptural West German vase designed by Cari Zalloni for Steuler Keramik, model 236\/25. Zalloni is best known today for founding CAZAL and transforming eyewear design in the 1980s, but before that he trained as an industrial designer in Vienna and worked across furniture, interiors and ceramics. His ceramic work for Steuler in the late 1960s and early 1970s is now highly collected for its architectural forms, strong lines and expressive glazes.\u003c\/p\u003e\n\u003cp\u003eThis piece shows those signatures clearly: a double-gourd silhouette, flared neck and twin looped handles that create movement and symmetry. The glaze is a deep cobalt blue shading into black, a classic Steuler colourway with beautiful saturated tone and high-gloss variation.\u003c\/p\u003e\n\u003cp\u003eA distinctive example of Zalloni’s earlier design language, and a strong, sculptural addition to any mid-century collection.\u003c\/p\u003e\n\u003cp\u003eDetails\u003cbr\u003e– Designer: Cari Zalloni (1937–2012)\u003cbr\u003e– Manufacturer: Steuler Keramik, West Germany\u003cbr\u003e– Shape no. 236\/25\u003cbr\u003e– Height: 25cm\u003cbr\u003e– Condition: Very good vintage condition with light, age-appropriate wear\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":56890102940032,"sku":null,"price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/EMILY_DICKS_PHOTO_C-3913.jpg?v=1763651550"},{"product_id":"stainless-steel-jug","title":"30 oz Stainless Steel Jug with Lip by Arne Jacobsen for Stelton (1960s)","description":"\u003cp\u003eArne Jacobsen for Stelton - 30oz Stainless Steel Jug (Model 03\/1)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA beautifully preserved stainless-steel jug designed by Arne Jacobsen for Stelton, part of the iconic Cylinda-Line series. This is the 30oz version with a refined pouring lip (model 03\/1), presented in excellent condition with the original late-1960s Stelton sticker still intact on the base.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1967 and released in 1968, the Cylinda-Line set a new aesthetic for Scandinavian tableware: pure cylinders, brushed stainless steel and a complete absence of ornament. This jug is a perfect example - architectural, functional, and beautifully balanced in the hand.\u003c\/p\u003e\n\u003cp\u003eDetails\u003cbr\u003e• Designer: Arne Jacobsen\u003cbr\u003e• Maker: Stelton\u003cbr\u003e• Model: 03\/1\u003cbr\u003e• Capacity: approx. 30oz\u003cbr\u003e• Material: Brushed stainless steel\u003cbr\u003e• Dimensions: 17cm high, 8cm diameter at base\u003cbr\u003e• Origin: Denmark, late 1960s\u003cbr\u003e• Condition: Excellent vintage condition, no box, original Stelton sticker to base\u003c\/p\u003e\n\u003cp\u003e⸻\u003c\/p\u003e\n\u003cp\u003eAbout Arne Jacobsen (1902–1971)\u003c\/p\u003e\n\u003cp\u003eArne Jacobsen was one of the leading voices of Danish modernism. Trained as an architect, he designed everything from buildings to cutlery, approaching each discipline with the same clarity of form and precision. His furniture - including the Swan, Egg and Series 7 chairs — became global design icons.\u003c\/p\u003e\n\u003cp\u003eThe Cylinda-Line was his major contribution to domestic objects: a modular stainless-steel series built entirely from industrial cylinders. It was awarded the Danish ID Prize and remains one of the most recognisable expressions of Scandinavian minimalism.\u003c\/p\u003e\n\u003cp\u003e⸻\u003c\/p\u003e\n\u003cp\u003eAbout Stelton\u003c\/p\u003e\n\u003cp\u003eFounded in 1960, Stelton became internationally known for its stainless-steel innovations. The company’s collaborations with Jacobsen, and later Erik Magnussen, established a distinct, modernist design language: functional, architectural, and built to last. Early Cylinda-Line pieces with original stickers, like this one, are increasingly rare and sought after.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":56910492074368,"sku":null,"price":85.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/EMILYDICKSPHOTOC-4019.jpg?v=1763656396"},{"product_id":"ribbon-trail-fluted-vase-smoke-with-orange-by-geoffrey-baxter-for-whitefriars-glass","title":"Ribbon-Trail Fluted Vase, Smoke with orange by Geoffrey Baxter for Whitefriars Glass","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRibbon-Trail Fluted Vase, Smoke with orange\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003eDesigned by Geoffrey Baxter for Whitefriars Glass\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003eThis striking fluted glass vase was designed by \u003c\/span\u003e\u003cspan class=\"s1\"\u003eGeoffrey Baxter\u003c\/span\u003e\u003cspan class=\"s3\"\u003e for \u003c\/span\u003e\u003cspan class=\"s1\"\u003eWhitefriars Glass\u003c\/span\u003e\u003cspan class=\"s3\"\u003e and dates to the late 1960s–early 1970s, a period when Baxter was at his most experimental.\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003eThe vase is formed in a smoky grey glass with a bold \u003c\/span\u003e\u003cspan class=\"s1\"\u003eamber ribbon-trail\u003c\/span\u003e\u003cspan class=\"s3\"\u003e spiralling through the body. The internal trail appears to float within the glass, creating a strong sense of movement and depth. The gently fluted cylindrical form allows the colour to shift as the vase is turned, catching and refracting light beautifully.\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003eRibbon-trail designs were part of Whitefriars’ push beyond traditional domestic glassware into more sculptural, expressive forms. Baxter, trained as a sculptor, was instrumental in this shift. His work at Whitefriars helped define British studio glass of the post-war period, and pieces from this era are now highly collectable.\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003eThis example is substantial and elegant, working equally well as a standalone sculptural object or with long stems. A particularly good scale for floor, console or dining table display.\u003c\/span\u003e\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCondition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003eVery good vintage condition with no chips or cracks. Light surface wear consistent with age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDetails\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003e– Designer: Geoffrey Baxter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003e– Manufacturer: Whitefriars Glass, England\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003e– Date: c. late 1960s \/ early 1970s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003e– Colour: Smoke grey with amber ribbon-trail\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003e– Material: Hand-blown art glass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDimensions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003eHeight: approx. 23 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s3\"\u003eDiameter: approx. 6.5 cm\u003c\/span\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":57023766692224,"sku":null,"price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/EMILY_DICKS_PHOTO_C-4740.jpg?v=1766577529"},{"product_id":"solid-wood-teak-lamp","title":"Swedish Turned Wood Table Lamp (1960s)","description":"\u003cp\u003eA beautifully sculptural Swedish table lamp dating from the 1960s, made from solid turned teak wood with a rich, warm tone and a strong architectural silhouette. The base has a stacked form, with soft curves and stepped detailing that feels distinctly Scandinavian and of its era.\u003c\/p\u003e\n\u003cp\u003eThe scale is perfect for a sideboard, bedside table or shelving, adding warmth and texture without feeling heavy. When lit, the lamp gives a soft, ambient glow and brings out the depth of the timber grain.\u003c\/p\u003e\n\u003cp\u003eThis lamp has been carefully updated for modern use while keeping the original mid-century character. It has a natural linen shade, and has been fully PAT tested, fitted with a UK plug, and finished with a new brass coloured cord. It also has all new brass fixings, which elevate the overall look and give the lamp a more refined, luxury feel.\u003c\/p\u003e\n\u003cp\u003eA simple but striking piece of 1960s Swedish design.\u003c\/p\u003e\n\u003cp\u003eDetails\u003cbr\u003e    •    Origin: Sweden\u003cbr\u003e    •    Date: 1960s\u003cbr\u003e    •    Material: Solid turned wood\u003cbr\u003e    •    Newly rewired with brass-coloured cord\u003cbr\u003e    •    All new brass fixings\u003cbr\u003e    •    UK plug added\u003cbr\u003e    •    PAT tested and ready to use\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eVery good vintage condition with light age-related wear consistent with its age.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":57391797600640,"sku":null,"price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/EMILY_DICKS_PHOTO_C-5814.jpg?v=1770998814"},{"product_id":"orange-glass-mid-century-bowl","title":"Burnt Orange Glass Pedestal Bowl (1960s\/70s)","description":"\u003cp\u003eBurnt Orange Glass Pedestal Bowl (Mid-Century)\u003c\/p\u003e\n\u003cp\u003eA beautifully proportioned mid-century orange glass bowl, with a wide shallow dish and a subtle raised centre. This is elegant and minimal, with a softly thickened rim and a rich green tone that deepens towards the base.\u003c\/p\u003e\n\u003cp\u003eA simple, timeless piece that adds texture and depth to a coffee table, sideboard or dining table.\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eVery good vintage condition with minor signs of age-related wear.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":57396015006080,"sku":null,"price":70.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/EMILYDICKSPHOTOC-5829.jpg?v=1771077905"},{"product_id":"green-mid-century-glass-bowl","title":"Smoke Olive Green Glass Pedestal Bowl (1960s\/70s)","description":"\u003cp\u003eOlive Green Glass Bowl (Mid-Century)\u003c\/p\u003e\n\u003cp\u003eA beautifully proportioned mid-century olive green glass bowl, with a wide shallow dish and a subtle raised centre. This is elegant and minimal, with a softly thickened rim and a rich green tone that deepens towards the base.\u003c\/p\u003e\n\u003cp\u003eA simple, timeless piece that adds texture and depth to a coffee table, sideboard or dining table.\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eVery good vintage condition with minor signs of age-related wear.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":57396051280256,"sku":null,"price":70.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/EMILYDICKSPHOTOC-5835.jpg?v=1771078468"},{"product_id":"mid-century-tile-top-coffee-table-attributed-to-juliette-belarti","title":"Tile Top Coffee Table by Juliette Belarti (Belgium) 1960s","description":"\u003cp\u003eThis coffee table features a striking tiled top composed of hand-finished ceramic panels, each decorated with fossil-like organic motifs set against a deep burnt orange ground. The imagery has a geological quality, typical of Juliette Belarti’s work, where glaze reactions and firing techniques create variation across each tile. No two examples are identical.\u003c\/p\u003e\n\u003cp\u003eThe tiles are framed within a brushed metal surround and supported by a sculptural chrome base with sled feet. The contrast between expressive ceramic surface and precise metal structure is characteristic of Belarti’s designs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eJuliette Belarti\u003c\/span\u003e\u003cspan class=\"s2\"\u003e was a Belgian furniture designer active during the mid-twentieth century. Working primarily in the 1950s and 1960s, she produced practical domestic furniture that responded to the changing needs of post- ar European homes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003eBelarti is best known for her dining and occasional tables, many of which incorporate carefully engineered extension mechanisms. These designs allowed additional leaves to be stored discreetly within the table frame, enabling the furniture to expand when needed while maintaining a compact form in everyday use. The construction of her pieces often demonstrates thoughtful structural detailing, including internal metal fastenings that allow tables to be assembled and extended without damaging the surrounding timber.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003eHer work sits within the broader language of mid-century European modernism, sharing an emphasis on practicality, durability and restrained form also seen in the work of designers such as Hans J. Wegner and Arne Jacobsen. Today Belarti’s furniture is appreciated for its intelligent construction and enduring functionality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eGood vintage condition. Tiles well preserved with age-appropriate wear consistent with use. Structurally sound.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003eWidth: 106 cm\u003cbr\u003eDepth: 45.5 cm\u003cbr\u003eHeight: 41 cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":57434193363328,"sku":null,"price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/Untitled-1-2_500f2a0c-cfb2-45ef-a73b-ce73b5783026.jpg?v=1772102263"},{"product_id":"aluminium-group-desk-chair-by-charles-eames-ray-eames","title":"'Aluminium Group' Desk Chair by Charles Eames \u0026 Ray Eames","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCharles \u0026amp; Ray Eames EA108 Aluminium Group Chair for Vitra\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis EA108 Aluminium Group chair by Charles and Ray Eames is a refined example of mid-century office design, produced by Vitra and retaining the maker’s labels to the underside. Designed as part of the celebrated Aluminium Group series, the EA108 was conceived as a comfortable yet elegant chair suited to desk or meeting environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe chair features a black hopsack upholstered seat and back, stretched between a polished aluminium frame. Unlike traditional upholstered chairs where fabric is padded over a solid structure, the Eames Aluminium Group uses a suspended upholstery system, allowing the material to act as a supportive sling. This construction provides both flexibility and comfort while maintaining the chair’s slim architectural profile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe frame is finished in chromed aluminium with characteristic curved armrests and sits on a four star swivel base, giving it a light and balanced appearance. The EA108 is the non tilting version of the Aluminium Group desk chairs, designed specifically for conference tables and office desks where upright posture and freedom of movement are preferred.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDimensions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eMax width: 55 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eMax height: 83 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eMax depth: approx. 55 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDesigner - Charles \u0026amp; Ray Eames\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCharles Eames (1907–1978) and Ray Eames (1912–1988) were among the most influential designers of the twentieth century. Charles studied architecture at Washington University in St. Louis before establishing an architectural practice, while Ray, born Bernice Alexandra Kaiser, trained as a painter at the Hans Hofmann School of Fine Arts in New York. The pair met at the Cranbrook Academy of Art in Michigan in the late 1930s and married in 1941, beginning a lifelong creative partnership.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWorking from their studio in Venice, California, the Eameses collaborated with manufacturers including Herman Miller in the United States and Vitra in Europe. They are best known for pioneering moulded plywood and fibreglass furniture, producing iconic designs such as the Lounge Chair and Ottoman (1956), the Moulded Plywood Chairs (1946) and the Aluminium Group seating (1958). Their work extended beyond furniture into architecture, exhibitions, and filmmaking, all guided by a belief that design should solve problems while improving everyday life.u\u003c\/span\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":57434575470976,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/Untitled-11.jpg?v=1772878102"},{"product_id":"surfboard-teak-serving-tray","title":"Danish Teak Serving Tray by Digsmed, Denmark, 1960s","description":"\u003cp\u003eA beautifully made Danish serving tray produced by Digsmed in Denmark during the 1960s. Crafted from solid teak, the tray demonstrates the restrained elegance that characterises much Scandinavian tableware of the period. The elongated oval form is gently tapered, with integrated cut-out handles at each end and two slender raised rails running along the sides. These subtle rails help stabilise glasses or crockery when carrying, while also adding a pleasing sculptural line to the design.\u003c\/p\u003e\n\u003cp\u003eThe teak has a warm, even tone with attractive grain patterns that have developed a soft patina over time. Pieces such as this were designed to move easily between kitchen and living room, reflecting the relaxed, informal entertaining culture that became popular in Scandinavia during the mid-twentieth century.\u003c\/p\u003e\n\u003cp\u003eStamped to the underside “Digsmed Denmark”, confirming its Danish manufacture.\u003c\/p\u003e\n\u003cp\u003eElegant yet practical, it works equally well for serving drinks, breakfast, or simply as a decorative object on a coffee table or sideboard.\u003c\/p\u003e\n\u003cp\u003eDimensions\u003cbr\u003eLength: 50 cm\u003cbr\u003eWidth: 25.5 cm\u003c\/p\u003e\n\u003cp\u003eManufacturer: Digsmed, Denmark\u003cbr\u003eDigsmed was a Danish manufacturer active during the mid-twentieth century, known for producing high-quality teak kitchenware and serving pieces. Working during the height of Scandinavian modernism, the company specialised in objects that combined careful craftsmanship with simple, functional design. Their trays, cutting boards and serving items were widely exported and became popular across Europe and North America during the 1950s and 1960s. Using richly grained teak and restrained forms, Digsmed’s products embodied the Danish design philosophy that everyday domestic objects should be both useful and beautifully made. Today their pieces remain sought after as examples of well-crafted mid-century tableware that reflects the understated elegance of Danish modern design.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":57478207799680,"sku":null,"price":175.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/Untitled-1-21.jpg?v=1772034029"},{"product_id":"g-plan-fresco-dressing-table","title":"'Fresco’ Dressing Table with Adjustable Mirror by G-Plan, (1960s) UK","description":"\u003cp\u003e\u003cspan\u003eTeak G Plan Dressing Table with Mirror\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnited Kingdom, 1960s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA well-proportioned G Plan dressing table produced in Britain during the 1960s, constructed in teak and designed with the sublet detailing that characterises the company’s most successful midcentury pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe dressing table is arranged with two pedestal banks of drawers and a shallow central drawer above the kneehole, providing practical storage while maintaining a clean horizontal form. Each drawer is fitted with G Plan’s distinctive integrated sculpted teak handles, a detail that gives the piece its recognisable graphic rhythm across the front. The drawers are finely constructed with dovetailed joints and slide smoothly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe rounded edges, floating top and tapered solid legs soften the piece and create a sense of lightness. Above sits a removable and adjustable rectangular mirror in a matching teak frame.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eG Plan was introduced in 1953 by E. Gomme Ltd of High Wycombe and quickly became one of the most influential British furniture brands of the post-war period. Working with designers including Victor Bramwell Wilkins, the company produced furniture that combined Scandinavian \u003c\/span\u003e\u003cspan\u003einspired modernism with durable British craftsmanship. Pieces from this period remain widely appreciated for their practicality, clean lines and enduring design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHeight: 120 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWidth: 153 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDepth: 49.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKneehole: 59 cm (H) x 50.5 cm (W)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good vintage condition. The teak presents with a warm, even tone and light signs of age consistent with careful use. The drawers run smoothly and the structure is solid.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImages are intended to give an accurate impression of the colour, grain and overall condition of the piece. As with any natural material and vintage object, slight variations may be visible in person.\u003c\/span\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":57710891860352,"sku":null,"price":1100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/FullSizeRender_7e54d50d-914f-42b4-a44f-2f1a2902fb5a.jpg?v=1774896109"},{"product_id":"a-fold-of-chairs-city-guide-to-st-albans","title":"A Fold of Chairs, City Guide to St Albans","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFor years we’ve talked about making a city guide to St Albans. Made by Creatives for Creatives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWhen Marcus \u0026amp; I moved here from London 20 years ago we thought it would just be a calmer, more practical place to raise a family. What we didn’t realise was how many thoughtful, creative people were quietly building lives and practices here.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eOver the years, through schools, nights out and lots of long conversations, we found ourselves surrounded by designers, artists, makers, writers, architects and musicians. That community is what made this lovely city feel like home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWe started asking that community to share their favourite places, from architecture, to places to walk, eat \u0026amp; drink, dance \u0026amp; shop. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe result is this pocket sized book. It’s a guide to the places that shape our city and all the independent businesses we love.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eDimensions,\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e100mm x 130mm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":57712176791936,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/Untitled-17_d068abe8-428f-4ac1-9ad6-b40caaf76d06.jpg?v=1775647418"},{"product_id":"eduardo-paolozzi-1924-2005-the-tate-gallery-eduardo-paolozzi-1971","title":"Eduardo Paolozzi (1924–2005) The Tate Gallery – Eduardo Paolozzi, 1971","description":"\u003cp\u003eEduardo Paolozzi (1924–2005)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Tate Gallery – Eduardo Paolozzi\u003c\/em\u003e, 1971\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOffset lithograph.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePublished by the Tate Gallery Publications Department and printed by Beric Press, Crawley.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMount aperture: 74.5 × 49.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOne of the most influential British artists of the twentieth century, Eduardo Paolozzi was a sculptor, printmaker and collagist whose work helped define the visual language of post-war modernism and Pop Art. Born in Leith, Edinburgh, to Italian parents, Paolozzi studied at Edinburgh College of Art and later at the Slade School of Fine Art in London. Throughout his career he combined imagery drawn from science, engineering, advertising, popular culture and technology, creating works that reflected the rapidly changing world of the post-war era.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eProduced in 1971 to accompany Paolozzi's exhibition at the Tate Gallery, this original offset lithograph captures the bold graphic qualities for which the artist became renowned. Characterised by layered imagery, strong typography and a fascination with the relationship between art, industry and mass communication, Paolozzi's work remains remarkably contemporary more than fifty years later.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePaolozzi was a founding member of the Independent Group, the influential circle of artists, architects and critics whose ideas laid the foundations for British Pop Art. His work is represented in major collections worldwide, including the Tate, the Victoria and Albert Museum, the Museum of Modern Art in New York and numerous public collections throughout Europe and North America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAs both an exhibition poster and a work of graphic design in its own right, this piece offers an opportunity to acquire an original example connected to one of Britain's most important post-war artists. Equally suited to a contemporary interior, creative workspace or modern art collection, it reflects Paolozzi's enduring influence on art, design and visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The poster is presented in a wooden frame and remains in very good condition overall, with very little fading. There are three small brown marks to the poster, all of which are clearly shown in the photographs. The frame is in very good condition.\u003c\/span\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58260380483968,"sku":null,"price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/E.PAOLOZZI02_549a0807-5cfb-4fd9-9d77-ec95b8f87e7a.jpg?v=1793274353"},{"product_id":"michael-kenny-1941-1999-screenprint-hills-and-river-shores-c-1980","title":"Michael Kenny (1941–1999)  Screenprint  Hills and River Shores, c.1980","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eMichael Kenny (1941–1999)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eHills and River Shores, c.1980\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eColour screenprint on paper, signed, titled and numbered 29\/50 in pencil.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA striking and atmospheric screenprint by British artist Michael Kenny, combining expressive mark-making with the geometric forms that became a hallmark of his work. Across the composition, sweeping black passages and energetic linear elements suggest a rugged landscape, while abstract architectural forms emerge on the horizon. The balance between structure and spontaneity creates a work that feels both monumental and deeply connected to the natural world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA powerful example of British post-war printmaking from an artist whose work bridged abstraction and landscape with remarkable confidence. Combining strong graphic forms with expressive mark-making, \u003ci\u003eHills and River Shores\u003c\/i\u003e is both a significant work by Michael Kenny and a piece with a documented exhibition history beyond the private art market.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKenny was one of the most respected British artists of his generation. Michael Kenny was born in Liverpool in 1941, and before he ever picked up a chisel he was at school with two future Beatles, Stuart Sutcliffe and John Lennon. He went on to study at Liverpool College of Art and then the Slade, where his tutor, the sculptor Reg Butler, nicknamed him “the Liverpool Italian” for his obsession with Giacometti.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProduced in a small edition of only 50 impressions, \u003ci\u003eHills and River Shores\u003c\/i\u003e demonstrates Kenny’s ability to merge drawing, printmaking and painterly gesture into a single image. The layered composition, subtle colour palette and strong graphic presence make it particularly well suited to contemporary interiors, while also appealing to collectors of post-war British art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe reverse retains an original inventory label from the charity \u003cb\u003ePaintings in Hospitals\u003c\/b\u003e, indicating that the work was previously part of their collection and was loaned for display within healthcare settings. Founded in 1959, the organisation places original artworks in hospitals and care environments throughout the UK, and the label provides an interesting piece of provenance linking the print to a long established public arts programme.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eArtist:\u003c\/b\u003e Michael Kenny (1941–1999)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eTitle:\u003c\/b\u003e \u003ci\u003eHills and River Shores\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDate:\u003c\/b\u003e Circa 1980\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMedium:\u003c\/b\u003e Colour screenprint on paper\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eEdition:\u003c\/b\u003e 29\/50\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSignature:\u003c\/b\u003e Signed, titled and numbered in pencil\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eImage Size:\u003c\/b\u003e 90 x 122 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA bright, well-preserved impression in very good condition. Presented in a white frame behind glass. The frame shows minor signs of age and use consistent with display but remains in good overall condition. Ready to hang.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA powerful example of British post-war printmaking from an artist whose work bridged abstraction and landscape with remarkable confidence.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58260768620928,"sku":null,"price":1700.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/Untitled-9_4369d342-84be-48e8-9015-21fb7647543a.jpg?v=1781693803"},{"product_id":"old-hallcanteen-of-cutlery","title":"Robert Welch for Old Hall Alveston Cutlery Canteen, 1960s (UK)","description":"\u003cp class=\"p2\"\u003eAn original Alveston stainless steel cutlery canteen designed by Robert Welch for Old Hall, England, during the early 1960s.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe cutlery has slender, gently tapering handles with a satin stainless steel finish. The knives have lightweight hollow handles, a distinctive feature of Welch’s design, which improved their balance and handling.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe set is housed in its original fitted wooden canteen, combining teak and rosewood with a green felt lining. The two hinged side compartments fold out to reveal the neatly arranged cutlery, creating an attractive presentation when opened.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eComprising table and dessert knives and forks, tablespoons, soup spoons, teaspoons, coffee spoons, two serving spoons and a cheese knife.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAn exceptionally well-preserved example of British midcentury design, with both the cutlery and its original wooden case in pristine condition.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eDesigner and Manufacturer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eRobert Welch (1929-2000) was one of Britain’s leading postwar industrial designers. He studied at the Royal College of Art before establishing his studio in Chipping Campden, Gloucestershire, in 1955.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThat same year, he was appointed consultant designer to J. \u0026amp; J. Wiggin, manufacturers of Old Hall stainless steel tableware.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWelch’s work for Old Hall helped establish stainless steel as a material for contemporary domestic design. His approach combined simple geometric forms with careful consideration of function, proportion and balance.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIntroduced in 1963, the Alveston cutlery range became one of his most successful designs, receiving a prestigious Design Centre Award in 1965.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003ePristine vintage condition. Both the stainless steel cutlery and original fitted wooden canteen are exceptionally well preserved\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWooden canteen:\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWidth: 51 cm\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eDepth: 35.5 cm\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eHeight: 10.5 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58280051245440,"sku":null,"price":950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC01862-620.jpg?v=1784206324"},{"product_id":"peter-wills-b-1955bowl-porcelain","title":"Peter Wills Porcelain Bowl in Dry Blue-Green Glaze (UK)","description":"\u003cp class=\"p1\"\u003eA Peter Wills porcelain bowl finished in a dry blue-green glaze. The bowl has a finely potted, gently flared form with a small foot ring and a translucent glaze that pools and breaks across the surface to create an intricate cellular pattern. The decoration extends across both the interior and exterior, giving the piece a depth and complexity that changes as it catches the light.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe glaze is particularly characteristic of late twentieth-century studio ceramics, where experimentation with materials and firing techniques became as important as form. The pale green tones and organic surface patterning contrast with the precision of the porcelain body, demonstrating the balance between control and chance that is central to studio pottery.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePotter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePeter Wills (b.1955) is a British studio potter known for his porcelain vessels and highly developed glaze effects. He studied ceramics at Camberwell School of Arts and Crafts before establishing his own workshop practice. Throughout his career he has explored the technical possibilities of porcelain and glaze chemistry, producing work that sits between functional pottery and ceramic art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUnlike many potters working within the Leach tradition, Wills became interested in more experimental ceramic surfaces, developing glazes that produce crystalline, mottled and cellular effects during firing. His work has been exhibited widely and is admired for its combination of technical precision and visual complexity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVery good vintage condition. Craze lines are present within the glaze, consistent with the firing and age of the piece. No evidence of restoration. The bowl rings clearly when tapped.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDiameter: 12.5cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58280105771392,"sku":null,"price":165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/Untitled-7_8e23b60a-56b7-4a3f-aa5e-a7229f0962c5.jpg?v=1781696161"},{"product_id":"phil-rogers-1951-2020bowl-stoneware","title":"Phil Rogers (1951-2020) Ash Glazed Bowl","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePhil Rogers Ash-Glazed Bowl\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA large stoneware bowl by Phil Rogers, finished in a rich olive ash glaze with incised decoration to the interior. The broad open form is characteristic of Rogers’ work, combining practicality with a strong sense of proportion. The glaze pools and darkens towards the centre of the bowl, revealing the effects of firing and the natural variation that Rogers embraced throughout his career.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eAbout the Potter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePhil Rogers (1951-2020) was born in Newport, South Wales, and initially trained as a painter before discovering pottery in the 1970s. He later established his workshop in Rhayader, Mid Wales, where he spent more than four decades making pottery and researching traditional ceramic techniques.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRogers developed a particular interest in the pottery traditions of Korea, Japan and China, travelling extensively to study historic ceramics and traditional kiln practices. He became especially known for his work with ash glazes, publishing the influential book \u003ci\u003eAsh Glazes\u003c\/i\u003e, which remains a key reference for studio potters today. His later book \u003ci\u003eThrowing Pots\u003c\/i\u003e is still widely used by students and professional potters alike.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUnlike many contemporary ceramicists, Rogers dedicated himself to refining traditional forms rather than pursuing novelty. He believed that bowls, jars and domestic vessels had evolved over centuries for good reason, and his work reflects a deep respect for those traditions. This bowl embodies that philosophy: a functional object elevated through careful proportion, subtle decoration and an exceptional understanding of clay, glaze and firing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHis work is represented in numerous public collections, including the Victoria \u0026amp; Albert Museum, York Art Gallery and the National Museum of Wales.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent conditon. Potters mark top base\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDiameter: 25 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHeight: 10.5 cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58280156397952,"sku":null,"price":275.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/Untitled-5_a30339d9-724f-42a2-92f2-dbae1e0dd12d.jpg?v=1781699060"},{"product_id":"maki-haku-1924-2000chawan","title":"'Chawan ' Embossed Woodblock Print by Maki Haku (巻白) (Japan) 1981","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eMaki Haku (1924–2000)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eChawan, 1981\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA beautiful and quietly contemplative colour woodblock print with embossing by Japanese printmaker Maki Haku. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBorn in Tokyo in 1924, Maki is best known for his distinctive embossed prints, which combine traditional Japanese printmaking techniques with a highly personal, modern visual language.  Maki developed a technique using a mixture of paper pulp and cement to create raised surfaces on the paper before printing. Often referred to as cement-relief prints. Rather than depicting dramatic landscapes or scenes, he often focused on simple everyday objects such as tea bowls, lanterns, doors and architectural forms, reducing them to their essential shapes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eChawan\u003c\/i\u003e (the Japanese word for a tea bowl) is a wonderful example of this approach. Printed in 1981, the work combines a subtle cement-relief embossing with delicate colour and texture, creating an image that feels both tactile and serene. The silver ginkgo leaf motif sits quietly against the softly textured surface, reflecting the Japanese appreciation for simplicity, craftsmanship and the beauty found in ordinary objects.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis example is signed, titled and numbered 10\/130 in pencil and bears Maki’s personal red seal. It is presented in a silver aluminium frame and remains in very good condition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA thoughtful and beautifully executed work by one of Japan’s most collected twentieth-century printmakers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn very good condition. Presented in a silver aluminium frame.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePlate size: 23 x 20cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58280208597376,"sku":null,"price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/391D4916-C2BB-43EA-9BDE-2FBD5D659952.jpg?v=1781871000"},{"product_id":"mike-dodd-yunomi-bowl-with-foliate-decoration","title":"Mike Dodd Yunomi Bowl with Foliate Decoration","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eMike Dodd Yunomi Bowl \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA stoneware yunomi by Mike Dodd, decorated with impressed foliate motifs beneath a rich honey and iron glaze. The cylindrical form sits comfortably in the hand, while the carved decoration and flowing glaze create a surface that reveals more detail the longer it is observed. The interior is finished in a soft celadon-grey glaze, contrasting beautifully with the warmer exterior tones.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe yunomi occupies a special place in Japanese ceramics. Unlike a formal tea bowl used in the tea ceremony, a yunomi is an everyday drinking vessel intended for tea enjoyed informally at home. The form was admired by many British studio potters, particularly those influenced by Japanese and Korean traditions, because it combined beauty with daily use. For potters such as Dodd, the yunomi represented the ideal studio pottery object: functional, tactile and deeply personal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eAbout the Potter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMike Dodd (born 1943) is one of the most respected figures in British studio pottery. He belongs to the generation of potters who followed Bernard Leach and Michael Cardew, embracing the belief that pottery should be integrated into everyday life rather than separated as fine art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs a young man, Dodd encountered the work of Leach, Shoji Hamada and Cardew, whose pots demonstrated that ordinary domestic objects could possess extraordinary beauty. He later established Wellrash Pottery in Herefordshire, where he spent decades working largely outside the commercial art world, making pottery using local materials and traditional firing methods.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDodd is known for producing his own ash glazes, often derived from materials gathered around the pottery. His work reflects a deep respect for the relationship between clay, fire and landscape. Collectors admire his pottery for its honesty, quiet confidence and connection to the traditions of both British and Japanese ceramics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis yunomi demonstrates those influences particularly well. Its form derives from Japanese tea culture, while the earthy glazes and impressed decoration are unmistakably Dodd’s own, resulting in a vessel that feels both ancient and entirely contemporary.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVery good condition. Potters seal to base.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHeight: 9 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDiameter: 8 cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58304303202688,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/Untitled-2_4f533bac-d292-43da-b671-4a47bd3a33d6.jpg?v=1782290914"},{"product_id":"alessandro-albrizzi-lucite-box-with-cane-inlay-1960s-italy","title":"Alessandro Albrizzi Lucite Box with Cane Inlay (1960s) Italy","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eAlessandro Albrizzi Lucite Box with Cane Inlay\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis rectangular box was designed by Alessandro Albrizzi and combines clear lucite with woven cane panels set into the sides. The contrast between the industrial clarity of the acrylic and the warmth of the natural cane is characteristic of Italian design in the 1960s and 1970s, when designers were increasingly interested in combining traditional materials with new manufacturing techniques.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe box is beautifully constructed, with the lucite acting almost like a frame around the woven cane. Light passes through the transparent structure while the cane introduces texture and pattern, creating an object that functions equally well as storage or as a decorative piece. It works particularly well on a desk, dressing table or coffee table, where the materials can be appreciated from all angles.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDesigner\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlessandro Albrizzi was an Italian designer and entrepreneur best known for his work with lucite and acrylic furniture and accessories during the 1960s and 1970s. His designs embodied the optimism of the Space Age, embracing modern materials while maintaining the refinement associated with Italian design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWorking from Milan, Albrizzi produced a range of furniture, lighting and decorative objects that explored transparency, reflection and light. Today his lucite pieces are increasingly sought after by collectors for their ability to sit comfortably in both contemporary and mid-century interiors.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood vintage condition. The lucite has been professionally polished to reduce surface wear. There are still some light scratches to the top surface, consistent with age and use.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e20cm x 10cm x 7cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58304758972800,"sku":null,"price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC00058-3898.jpg?v=1793887356"},{"product_id":"alessandro-albrizzi-lucite-box-with-cane-inlay-1960s-italy-copy","title":"Alessandro Albrizzi Lucite Box with Steel Sides (1960s) Italy","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eAlessandro Albrizzi Lucite Box with Steel Sides\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA rectangular lucite box designed by Alessandro Albrizzi, incorporating polished steel panels within a clear acrylic structure. The simplicity of the form allows the materials to take centre stage, with the reflective steel appearing to float within the transparent lucite body.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlbrizzi was particularly interested in the visual effects created by transparency and reflection, and this box demonstrates that approach perfectly. Depending on the light and viewing angle, the steel surfaces create changing reflections that give the piece a surprising sense of depth. The clean geometric form and restrained material palette make it a particularly versatile decorative object.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDesigner\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlessandro Albrizzi was among the designers who helped popularise acrylic furniture and accessories in post-war Italy. His work embraced new materials and manufacturing methods while retaining the elegance and precision associated with Italian modernism.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHis lucite objects became particularly popular during the 1970s, when transparent materials were seen as a symbol of modernity. Decades later, Albrizzi’s work remains highly collectable and is recognised as an important part of Italian design history.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood vintage condition. The lucite has been carefully polished to improve clarity and reduce surface wear. Light scratches remain to the top surface, consistent with age and use.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e17.5cm x 10cm x 4.7cm (largest example)\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58304759595392,"sku":null,"price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC00048-3901.jpg?v=1793887326"},{"product_id":"yellow-murano-glass-perfume-bottle","title":"1940s Etched Amber Glass Perfume Bottle","description":"\u003cp\u003eVintage Etched Glass Perfume Bottle\u003c\/p\u003e\n\u003cp\u003eDelicately proportioned and beautifully detailed, this vintage perfume bottle is crafted from softly amber-tinted glass with elegant hand-etched decoration. Fine geometric and sweeping linear engravings wrap around the body, catching the light and lending the piece a subtle Art Deco character.\u003c\/p\u003e\n\u003cp\u003eThe faceted stopper echoes the clean, angular lines of the bottle below, while the warm honey hue gives the glass a gentle glow. Whether displayed on a dressing table, bathroom shelf or cabinet of curiosities, it is a quietly elegant decorative object that celebrates the craftsmanship of an earlier era.\u003c\/p\u003e\n\u003cp\u003eOriginally intended for perfume or scented oils, it also works beautifully as a decorative accent, styled alongside vintage mirrors, ceramics or glassware. The simplicity of its form allows it to sit comfortably in both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp\u003eA charming piece of vintage glass with timeless appeal.\u003c\/p\u003e\n\u003cp\u003eCondition\u003cbr\u003eVery good vintage condition with light signs of age and use consistent with its years. The stopper fits well and the etched decoration remains crisp and clear.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58322973032832,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/Untitled-3_c4fe118b-5123-4a24-9b5b-3265fca263cf.jpg?v=1782290714"},{"product_id":"a-murano-bullicante-glass-lamp-in-pale-pink","title":"Murano Bullicante Glass Lamp in Pale Pink, Italy, c.1960s","description":"\u003cp class=\"p1\"\u003eMurano Bullicante Glass Table Lamp, Italy, c.1960s\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA Murano glass table lamp in pale pink bullicante glass, retaining its etched Murano maker’s mark. The lamp measures 44cm in diameter and 23cm high and is raised on a simple circular base.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe bullicante technique was developed on the island of Murano during the 1930s and became one of the defining innovations of post-war Italian glassmaking. The process involves trapping a regular pattern of tiny air bubbles between layers of molten glass using a mould fitted with metal spikes. A second layer of glass is then applied, permanently sealing the bubbles within the body of the piece. The technique requires exceptional control of temperature and timing, making it one of Murano’s most technically demanding decorative processes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the 1950s and 1960s, Murano glasshouses including Venini, Barovier \u0026amp; Toso, Seguso Vetri d’Arte, Cenedese and Archimede Seguso experimented extensively with bullicante, producing lighting, vases and sculptural glass that combined traditional Venetian craftsmanship with modern forms. While many pieces remain unattributed to a specific designer, the technique itself has become synonymous with Murano’s post-war revival and its influence on twentieth-century glass design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis lamp is in excellent conditon.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58458931364224,"sku":null,"price":2250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC01915-757.jpg?v=1784283385"},{"product_id":"shoji-hamada-japanese-1894-1978-stoneware-hexagonal-vase","title":"Shoji Hamada (1894-1978), Stoneware Hexagonal Vase with Signed Display Box (c.1960) Japan","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eShoji Hamada Hexagonal Stoneware Vase\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA studio pottery stoneware vase by \u003cb\u003eShoji Hamada (1894-1978)\u003c\/b\u003e, of hexagonal form with a hand-painted foliate motif. The vase measures 19.5cm high and is accompanied by its original signed wooden presentation box.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHamada was one of the most important figures in twentieth-century studio pottery and a central figure in the Japanese \u003cb\u003eMingei movement\u003c\/b\u003e, which sought to recognise the beauty and importance of traditional, utilitarian craft. After studying ceramics at Tokyo Technical College, Hamada met British potter Bernard Leach and travelled with him to England in 1920, helping to establish the Leach Pottery in St Ives. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReturning to Japan, Hamada settled in the pottery town of Mashiko, where his work became closely associated with locally sourced materials, traditional firing techniques and decoration applied with an intentionally direct, spontaneous hand.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1955 Hamada was designated a \u003cb\u003eLiving National Treasure\u003c\/b\u003e by the Japanese government in recognition of his contribution to ceramics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e H 19.5cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e Excellent condition. No damage to vase. Wooden box has no chip and ribbon with no tears.  Please refer to photographs for full details.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eProvenance:\u003c\/b\u003e With signed wooden presentation box.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58459129971072,"sku":null,"price":1250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC01811-657.jpg?v=1784207790"},{"product_id":"bernard-leach-1887-1979-a-st-ives-studio-pottery-small-stem-vase","title":"Bernard Leach (1887-1979) Tenmoku Glazed Stem Vase, Leach Pottery, st Ives (c1960s) UK","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eBernard Leach Tenmoku Glazed Stem Vase\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA small studio pottery stem vase by\u003cstrong\u003e \u003c\/strong\u003eBernard Leach (1887–1979), finished in a rich dark tenmoku glaze. The base bears both the impressed Leach Pottery seal and Bernard Leach’s personal seal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBernard Leach was one of the most influential figures in twentieth century British studio pottery. Born in Hong Kong and raised partly in Japan, his work brought together Japanese ceramic traditions with ideas drawn from English slipware and European pottery.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1920, Leach returned to England with the Japanese potter\u003cstrong\u003e \u003c\/strong\u003eShoji Hamada, establishing the Leach Pottery in St Ives, Cornwall. The pottery became enormously influential, helping to shape the development of studio ceramics in Britain and introducing generations of potters to Japanese approaches to materials, firing and craftsmanship.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTenmoku glazes have their origins in Chinese ceramics and were particularly admired in Japan. Their characteristic deep brown-black surface can vary considerably in the firing, giving each piece a subtly individual finish.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e H 8.5cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMaker:\u003c\/b\u003e Bernard Leach\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eManufacturer:\u003c\/b\u003e Leach Pottery, St Ives\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMaterial:\u003c\/b\u003e Stoneware\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eGlaze:\u003c\/b\u003e Tenmoku\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMarks:\u003c\/b\u003e Impressed Leach Pottery and Bernard Leach personal seals\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNo signs of damage or restoration.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58459150549376,"sku":null,"price":475.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC01745-722.jpg?v=1788430162"},{"product_id":"teak-framed-mid-century-wall-mirror","title":"Teak Framed Mid-Century Wall Mirror","description":"\u003cp\u003e\u003cspan\u003eSolid teak framed wall mirror with original mirror glass. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasures Length 71cm x Width 39cm\u003c\/span\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58797373456768,"sku":null,"price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSCF2406-2175.jpg?v=1789728009"},{"product_id":"green-glazed-stoneware-vase-by-nick-rees-for-muchelney-pottery","title":"Green Glazed Stoneware Vase by Nick Rees for Muchelney Pottery","description":"\u003cp\u003e\u003cspan\u003eGreen Glazed Stoneware Vase by Nick Rees for Muchelney Pottery, 2005\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA stoneware vase by British studio potter Nick Rees (b. 1949), made at Muchelney Pottery in Somerset in 2005.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe vase has a gently tapering body with deeply faceted sides, a narrow neck and a pronounced rolled rim. Its olive green and grey glaze varies across the carved surfaces, with lighter trails following the vertical facets. The underside bears the impressed maker’s mark and pottery stamp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNick Rees began his career in 1972, joining John Leach as an apprentice at Muchelney Pottery in Somerset. Established in 1965 by John Leach, grandson of the influential studio potter Bernard Leach, Muchelney continued the British studio pottery tradition of producing functional stoneware alongside individual work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRees spent 46 years at Muchelney, becoming a master potter and working closely with John Leach while developing his own approach to ceramics. Alongside the pottery’s established production range, he experimented with carving, fluting, slips and glazes to produce his own signed pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing his retirement from Muchelney in 2018, Rees continued working independently from his studio in Somerset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDetails\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaker: Nick Rees (b. 1949)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003ePottery: Muchelney Pottery\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eOrigin: Somerset, England\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eDate: 2005\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eMaterial: Glazed stoneware\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eDimensions: H 25 cm\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eMarks: Impressed maker’s mark and pottery stamp to base, dated 2005\u003c\/span\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58797382599040,"sku":null,"price":275.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC09595-3638.jpg?v=1791900222"},{"product_id":"rattan-weave-magazine-rack","title":"Folding Rattan Weave Magazine Rack (1960s)","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eMid Century Rattan Magazine Rack\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA lovely mid-century magazine rack with a blackened metal frame and woven rattan panels.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe rack opens out to form a generous V-shaped holder for magazines, books and newspapers. When not in use, it folds neatly closed, making it easy to carry or store. The clever construction also means magazines remain held securely inside when it is folded.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA simple, practical piece with a particularly nice combination of fine black metalwork and warm natural rattan.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eH 34cm x L 42cm x W 32.5cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVintage condition with age related wear consistent with use.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58797530153344,"sku":null,"price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC04705-1999.jpg?v=1789130699"},{"product_id":"model-fd130-teak-armchair-by-peter-hvidt-and-orla-molgaard-1960s","title":"FD130 Teak Armchair by Peter Hvidt \u0026 Orla Mølgaard-Nielsen for France \u0026 Søn, Denmark, 1960s (2 available)","description":"\u003cp\u003e\u003cspan\u003eAn original Danish FD130 teak armchair designed by Peter Hvidt and Orla Mølgaard-Nielsen for France \u0026amp; Søn during the 1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe FD130 is a particularly lovely example of Danish midcentury furniture, with its beautifully shaped solid teak frame, gently curved arms and distinctive sled style legs. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Designers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePeter Hvidt (1916-1986) and Orla Mølgaard-Nielsen (1907-1993) established their Copenhagen design partnership in 1944, bringing together two different backgrounds. Hvidt trained as an architect, while Mølgaard-Nielsen began his career as a cabinetmaker and studied under Kaare Klint, one of the most influential figures in Danish modern furniture design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheir collaboration lasted more than thirty years, during which they became particularly important in developing furniture that combined traditional Danish cabinetmaking with new methods of industrial production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of their most significant achievements was the AX Chair, developed with Fritz Hansen in 1950. Its innovative laminated construction allowed the chair to be dismantled and packed flat for export, helping Danish furniture reach an international audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheir designs were produced by several respected Danish manufacturers, including Fritz Hansen and France \u0026amp; Søn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUpholstery and Restoration\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis chair has been restored and upholstered in Læsø, a luxury Danish textile produced by Kjellerup Væveri, in colour SHM1-556.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEstablished in 1950, Kjellerup Væveri is a Danish weaving mill with a long history of producing textiles for Scandinavian furniture. Its fabrics are still woven in Denmark and are used by some of the country’s leading furniture manufacturers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTwo Available\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe have two matching FD130 armchairs available and are very happy to sell them individually or as a pair.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe second chair is currently awaiting upholstery, so there is an opportunity to have it upholstered in a fabric of your choice in our own workshop above the shop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe have accounts with a number of excellent fabric manufacturers and would be happy to help you choose something that works alongside this chair, or something entirely different.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease get in touch if you would like to discuss the possibilities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe final photograph shows another FD130 armchair that we previously restored and upholstered in leather.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWidth, 69cm, Depth 79cm, Height 76cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58860160123264,"sku":null,"price":2300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/0FF97289-50E5-444A-AAE0-C2FF658EA7E8.jpg?v=1794145589"},{"product_id":"holmegaard-16912-vase-by-peter-lutken-for-holemgaard-denmark-1960s","title":"Holmegaard #16912 Vase by Peter Lutken for Holmegaard, Denmark (1960s)","description":"\u003cp\u003eHolmegaard model #16912 Vase designed by Peter Lutken for Holmegaard.\u003c\/p\u003e\n\u003cp\u003eAbout the Designer - Per Lütken (1916–1998)\u003c\/p\u003e\n\u003cp\u003ePer Lütken was one of Denmark’s most influential glass designers and the creative force behind Holmegaard for more than four decades. Joining the glassworks in 1942, he went on to design over 3,000 individual pieces, shaping the visual identity of Danish glass throughout the mid-20th century.\u003c\/p\u003e\n\u003cp\u003eLütken believed glass should feel “alive” - fluid, organic, and expressive - and he pushed Holmegaard’s craftsmen to master increasingly complex free-blown forms. Many of his designs begin with a single sweeping gesture: a curve, a tilt, a soft distortion of symmetry that gives the object a quiet sense of movement. His work often feels like a captured breath in glass: elegant, controlled, and deeply tactile.\u003c\/p\u003e\n\u003cp\u003eSome of his most recognisable series include Arkipelag, Stub, Ship’s Glass, and Carnaby, each showcasing his instinct for combining simple silhouettes with subtle shifts in weight and colour. Today, Lütken’s pieces are highly collected for their craftsmanship, purity, and the unmistakable softness that defines his style.\u003c\/p\u003e\n\u003cp\u003eAbout the Manufacturer - Holmegaard Glassworks, Denmark\u003c\/p\u003e\n\u003cp\u003eFounded in 1825, Holmegaard is Denmark’s oldest and most prestigious glassworks. What began as a small royal glass factory in a marshland village grew into a defining symbol of Scandinavian craftsmanship and design. Throughout the 20th century, Holmegaard collaborated with leading designers - Per Lütken, Jacob Bang, and later Bang’s successors - each bringing a modernist sensibility to traditional techniques.\u003c\/p\u003e\n\u003cp\u003eHolmegaard is celebrated for its commitment to hand-blowing, clarity, and precision. The company’s mid-century output, particularly under Per Lütken’s artistic direction, is characterised by sculptural forms, subtle colour gradients, and a deep respect for the properties of molten glass. Their pieces were designed not as decorative objects alone, but as functional, everyday art to be handled and lived with.\u003c\/p\u003e\n\u003cp\u003eVintage Holmegaard glass is now collected worldwide for its balance of innovation and craftsmanship, and for its role in shaping the language of Scandinavian modernism.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58899308642688,"sku":null,"price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC04425-1875.jpg?v=1788950030"},{"product_id":"italian-arco-floor-lamp-by-achille-and-pier-giacomo-castiglioni-for-flos","title":"Italian Arco Floor Lamp by Achille and Pier Giacomo Castiglioni for Flos","description":"\u003cp\u003eItalian Arco Floor Lamp by Achille and Pier Giacomo Castiglioni for Flos.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1962 by Achille and Pier Giacomo Castiglioni for Flos, the Arco Floor Lamp is one of the defining designs of twentieth-century Italian lighting.\u003c\/p\u003e\n\u003cp\u003eThe Castiglionis created the Arco as an elegant alternative to a pendant light. Its long, curved stem allows the light to extend over a table or seating area without the need for a ceiling fitting, making the lamp as practical as it is sculptural.\u003c\/p\u003e\n\u003cp\u003eThe design is beautifully simple. A substantial block of Carrara marble supports the sweeping stainless-steel arch finished with a polished aluminium reflector.\u003c\/p\u003e\n\u003cp\u003eA particularly thoughtful detail is the hole cut through the centre of the marble base, allowing the lamp to be lifted and moved using a simple metal rod.\u003c\/p\u003e\n\u003cp\u003eProduced by Flos since its introduction, the Arco remains one of the most recognisable pieces of Italian modernism and is held in major design collections internationally.\u003c\/p\u003e\n\u003cp\u003eMeasures\u003c\/p\u003e\n\u003cdiv class=\"definition-table__line\"\u003eLength 220cm\u003c\/div\u003e\n\u003cdiv class=\"definition-table__line\"\u003eHeight 240cm\u003c\/div\u003e\n\u003cdiv class=\"definition-table__line\"\u003eWidth 185cm \u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eWeight 63.15kg\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003ePresented in excellent vintage condition throughout, with minor signs of age and use consistent with its period. The Carrara marble retains its natural veining and character. Original Flos components present.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAchille Castiglioni (1918-2002)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAchille Castiglioni was one of Italy’s most important designers of the twentieth century. Born in Milan, he studied architecture before establishing a practice with his brother Pier Giacomo.\u003c\/p\u003e\n\u003cp\u003eHis work was defined by simplicity, ingenuity and a close attention to the way objects are used. He had a particular talent for taking familiar forms and materials and turning them into something entirely new.\u003c\/p\u003e\n\u003cp\u003eCastiglioni worked across furniture, lighting and industrial design, collaborating with many of Italy’s leading manufacturers. His designs for Flos, including the Arco, Taccia and Snoopy lamps, have become enduring classics of modern design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePier Giacomo Castiglioni (1913-1968)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePier Giacomo Castiglioni was an Italian architect and designer who worked closely with his brother Achille throughout his career.\u003c\/p\u003e\n\u003cp\u003eTogether they developed some of the most influential designs of post-war Italian design, combining simple forms with thoughtful and often ingenious solutions to everyday problems.\u003c\/p\u003e\n\u003cp\u003eTheir work for Flos was particularly significant, producing a small group of lighting designs that remain in production and continue to influence contemporary design. The Arco is perhaps their most celebrated collaboration.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":58901570552192,"sku":null,"price":1600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSCF2419-2176.jpg?v=1789728175"},{"product_id":"fluted-porcelain-bowl-by-david-leach-for-lowerdown-pottery","title":"Fluted Porcelain Bowl by David Leach for Lowerdown Pottery","description":"\u003cp\u003eDavid Leach (1911-2005) was born in Tokyo and was first taught to pot not by his father, the renowned ceramist, Bernard but by Shoji Hamada. He studied at North Staffs Technical College and in 1930 joined Leach Pottery where he stayed, on and off, for twenty five years. He helped the family business in artistic, practical, technical and managerial capacities. \u003c\/p\u003e\n\u003cp\u003eIn 1953 he headed the ceramics department of Loughborough College. He started the Aylesford Pottery in 1954, handing it over a year later to Colin Pearson. \u003c\/p\u003e\n\u003cp\u003eAfter the handover of Aylesford pottery he moved to Bovey Tracey in Devon and set up Lowerdown Pottery.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":59919031370112,"sku":null,"price":420.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSCF2433-2201.jpg?v=1789734406"},{"product_id":"elm-ercol-british-set-of-nesting-tables","title":"Set of Three Model 354 'Pebble' Nesting Tables by Ercol c1960s (UK)","description":"\u003cp class=\"p1\"\u003eDesigned by Lucian Ercolani\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSolid elm tops with solid beech legs. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eManufacturer’s original label to underside of largest table\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLargest table: 40cm high, 64cm long, 44cm deep\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eErcol was founded in High Wycombe, Buckinghamshire, in 1920 by Italian-born furniture designer Lucian Ercolani (1888-1976). During the 1950s, Ercolani developed a range of furniture using traditional woodworking techniques alongside modern manufacturing methods, making well-designed, solid wood furniture available to a wider British market.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Model 354 nesting tables were introduced in the 1950s and became known as the ‘Pebble’ tables because of their distinctive, organically shaped tops. Made from solid elm with tapered beech legs, the three tables fit neatly beneath one another.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElm was particularly favoured by Ercol for its distinctive grain, strength and character. These original British made examples predate the contemporary versions, which are now manufactured in solid ash.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":60113823433088,"sku":null,"price":695.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSCF9858_21daa860-f9dc-4a81-8b38-9dcb51f9fa2e.jpg?v=1792667314"},{"product_id":"placeholder","title":"John Mitchell 'Palladium 2011 black\/red' Ink on Aluminium","description":"\u003cp\u003e\u003cspan\u003eJohn Mitchell (1943-2014)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePalladium 2011, Black\/Red\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInk on aluminium, 2011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn original work by British abstract artist John Mitchell, whose career spanned more than five decades and explored the relationship between mathematics, colour, painting and sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in Walton-on-Thames, Surrey, Mitchell studied at Kingston College of Art before establishing himself as an artist and influential teacher. His first solo exhibition was held at Camden Arts Centre in 1972, followed by exhibitions at the Ikon Gallery in Birmingham and Galerie Swart in Amsterdam.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1978, he was awarded the prestigious Gregory Fellowship in Painting at the University of Leeds, previously held by Terry Frost. The fellowship gave Mitchell two years to concentrate on his own work and culminated in a major exhibition at Leeds University Galleries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThroughout his career, Mitchell was particularly interested in the Fibonacci sequence, a mathematical progression in which each number is the sum of the preceding two. He used these proportional relationships to explore geometry, repetition and the sometimes surprising ways in which apparently identical forms can be perceived differently.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePalladium 2011, Black\/Red\u003c\/span\u003e\u003cspan\u003e belongs to Mitchell’s later period, when his longstanding investigation of geometric abstraction increasingly crossed the boundaries between painting and sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe work is created in black and red ink on aluminium, with a series of precisely arranged geometric projections forming an almost circular composition. The red appears intermittently behind the black, creating a subtle relationship between the two colours and suggesting another layer beneath the surface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis relationship between what is visible and what is concealed was central to Mitchell’s work. He was fascinated by how small changes in proportion, orientation or colour could fundamentally alter our understanding of a form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2011, Mitchell’s work was the subject of an exhibition titled \u003c\/span\u003e\u003cspan\u003eIncised and Cut Tondos\u003c\/span\u003e\u003cspan\u003e at Lemon Street Gallery in Truro, reflecting his continuing interest in circular compositions and the relationship between two-dimensional images and three-dimensional objects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMitchell spent his later years working from his studio overlooking Newlyn Harbour in Cornwall, continuing to develop his ideas through painting, drawing and sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn an appreciation of his work written in 2011, fellow artist David Ross described Mitchell’s achievement as a willingness to explore rather than explain, allowing highly ordered systems and intuition to coexist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn interesting example of Mitchell’s later work, made just three years before his death.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003cspan\u003e John Mitchell (1943-2014)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003cspan\u003e Palladium 2011, Black\/Red\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDate:\u003c\/span\u003e\u003cspan\u003e 2011\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMedium:\u003c\/span\u003e\u003cspan\u003e Ink on aluminium\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eOrigin:\u003c\/span\u003e\u003cspan\u003e United Kingdom\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eProvenance:\u003c\/span\u003e\u003cspan\u003e John Mitchell’s Personal Collection \u0026amp; Studio Sale, Lay’s Auctioneers, Cornwall, August 2026\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePresentation:\u003c\/span\u003e\u003cspan\u003e Framed\u003c\/span\u003e\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":60185349325184,"sku":null,"price":240.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSCF9896.jpg?v=1793274018"},{"product_id":"biomorphic-abstract-vase-by-jessie-tait-in-black-and-maroon","title":"Biomorphic Abstract Vase by Jessie Tait in Black and Maroon (1950s)","description":"\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eAn unusual sculptural ceramic vase designed by Jessie Tait for Midwinter Pottery, England, circa 1950s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe vase features an asymmetric, biomorphic form with two upward-sweeping points framing a curved central opening. Its dramatic silhouette is emphasised by contrasting glazes in deep maroon, black and pale grey.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe design reflects the growing influence of abstract sculpture and organic modernism on British decorative arts during the postwar period. Its fluid, almost abstract animal-like form makes it as much a small sculpture as a functional vase.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn uncommon example of Midwinter’s more experimental decorative ceramics, demonstrating the departure from traditional pottery forms that characterised British design during the 1950s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDesigner and Manufacturer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJessie Tait (1928–2010) was a British ceramic designer whose work helped establish Midwinter as one of the most progressive manufacturers of domestic ceramics in postwar Britain.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBorn in Stoke-on-Trent, Tait studied at the Burslem School of Art before beginning her career working alongside ceramic designer Charlotte Rhead. She subsequently joined W.R. Midwinter, where she remained for almost three decades.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the 1950s, Midwinter underwent a significant transformation under Roy Midwinter, who had been inspired by contemporary American ceramics and the growing demand for modern domestic design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTait became instrumental in developing the company’s new visual identity, producing bold, abstract and often playful designs that contrasted with the traditional floral decoration of earlier British tableware.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHer best-known patterns include Primavera, Red Domino, Zambesi and Festival, many of which are now represented in museum collections.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlongside her tableware designs, Tait experimented with sculptural ceramic forms and decorative vases, exploring the possibilities of colour, shape and abstraction.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHer work remains an important part of the history of British midcentury ceramics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVintage condition. Please refer to photographs for details.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHeight: 17.5 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDesigner: Jessie Tait\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eManufacturer: W.R. Midwinter Ltd\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOrigin: Staffordshire, England\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePeriod: Circa 1950s\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"translate\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":60373628027264,"sku":null,"price":225.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC00710-4062.jpg?v=1794493002"},{"product_id":"a-monsterbeskyttet-danish-candleholder","title":"Paro Design Eight-Candle Holder, Denmark, 1960","description":"\u003cp class=\"p1\"\u003eA geometric cast iron candleholder produced by Paro Design in Denmark during the 1960s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe low, architectural form consists of eight square candle sockets connected by narrow intersecting arms, creating a symmetrical arrangement around an open centre. Finished in dark grey metal, it is designed to hold eight slender taper candles.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIts compact proportions and geometric construction are characteristic of Danish modernist design of the period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMaker\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eParo Design was a Danish manufacturer of decorative metal objects, particularly known for its geometric cast iron candleholders produced during the 1960s and 1970s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe collection included a variety of interconnected and modular designs, with square, triangular and hexagonal arrangements accommodating different numbers of candles.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePieces were marked \u003ci\u003eParo Design, Made in Denmark\u003c\/i\u003e and frequently carried the Danish inscription \u003ci\u003eMønsterbeskyttet\u003c\/i\u003e, meaning design protected.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood vintage condition with minor age-related wear.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWidth: 11.5 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDesigned for eight slender taper candles.\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":60373726069120,"sku":null,"price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC00780-4104.jpg?v=1794493380"},{"product_id":"black-glazed-ikebana-vase","title":"Loré Beesel Sculptural Ceramic Vase, Netherlands, c.1970s","description":"\u003cp class=\"p1\"\u003eAn sculptural ceramic vase produced by Loré in Beesel, Netherlands, dating from approximately the 1970s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFinished in a satin black glaze, the vase has an abstract, architectural form with four individually positioned openings rising from a continuous, organically shaped body. Its unusual construction lends itself to ikebana, the Japanese art of flower arranging, in which careful consideration is given to line, space and the relationship between individual stems.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe vase works equally well as a sculptural object without flowers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHand marked Loré and Beesel to the underside.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMaker\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLoré Keramische Industrie was established in Beesel, Netherlands, in 1954 by Louis Thijssen and René Peeters, both former employees of the St. Joris pottery factory. The name Loré combines the first two letters of their respective names.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe company produced decorative ceramics alongside architectural tiles and other ceramic products, collaborating with several Dutch artists and sculptors.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the late 1960s and 1970s, sculptor Matt Camps designed a series of experimental ceramic vases for Loré, characterised by their unusual asymmetrical and sculptural forms. Although this vase shares characteristics with that collection, its individual designer has not been established.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLoré continued production until 1981.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood vintage condition with minor surface marks consistent with age. Please refer to photographs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eApproximately 18 cm high × 20 cm wide.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDetails\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eManufacturer:\u003c\/b\u003e Loré Keramische Industrie\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eOrigin:\u003c\/b\u003e Beesel, Netherlands\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDate:\u003c\/b\u003e c.1970s\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMaterial:\u003c\/b\u003e Glazed ceramic\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eColour:\u003c\/b\u003e Black\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMarkings:\u003c\/b\u003e Hand marked Loré, Beesel\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":60373742944640,"sku":null,"price":275.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC00725-4069.jpg?v=1794493321"},{"product_id":"a-riihimaen-lasi-oy-glass-pablo-vase-by-erkkitapio-siiroinen-pattern-no-1388","title":"A Riihimaen Lasi Oy glass 'Pablo' vase by Erkkitapio Siiroinen, pattern No.1388 (1970s) Finland","description":"\u003cp class=\"p1\"\u003eA Finnish midcentury glass ‘Pablo’ vase designed by Erkkitapio Siiroinen for Riihimäen Lasi Oy in the 1970s, pattern number 1388.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMade from vibrant red glass encased in clear glass, the vase features a cylindrical neck and a geometric body formed by angular, projecting facets. The contrasting forms create a sculptural silhouette, with the transparent glass base providing a visual separation between the coloured body and the surface beneath.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProduced in several colours, including red and blue, the Pablo vase reflects the experimentation with bold colour, geometry and sculptural form that characterised Finnish glass design during the 1970s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDesigner\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eErkkitapio Siiroinen (1944-1996)\u003c\/b\u003e was a Finnish glass designer known for his experimental approach to form, colour and the expressive possibilities of glass.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInitially interested in painting and music, Siiroinen studied industrial design at the Institute of Industrial Arts in Helsinki, where he was taught by Kaj Franck, one of Finland’s most influential modernist designers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1968, while still a student, he began working as a freelance designer for Riihimäen Lasi. His work ranged from functional tableware to highly sculptural decorative glass, often incorporating strong colours, geometric shapes and unusual surface treatments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmong his best known designs are the Kasperi and Jesperi glassware ranges and a series of sculptural bottles, including the Noppapullo (Dice Bottle), Veturipullo (Locomotive Bottle) and Tellus.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHis work represents a more playful and experimental direction in Finnish glass design during the late 1960s and 1970s, moving beyond the restrained functionalism traditionally associated with Scandinavian modernism.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eManufacturer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eRiihimäen Lasi Oy\u003c\/b\u003e was established in Riihimäki, Finland, in 1910 by M. A. Kolehmainen and his son A. P. Kolehmainen.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInitially producing domestic and container glass, the company expanded throughout the twentieth century, becoming one of Finland’s largest glass manufacturers. By the 1920s, it had developed into an important centre for Finnish glass production, manufacturing both functional household wares and decorative glass.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom the 1930s onwards, the company increasingly collaborated with prominent Finnish designers. Its postwar collections included work by Aimo Okkolin, Helena Tynell, Nanny Still and Tamara Aladin, whose designs helped establish the company’s reputation for modernist glass.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the 1960s and 1970s, Riihimäen Lasi became particularly associated with colourful, sculptural glassware, combining industrial production with contemporary Finnish design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe company ceased glass production at its Riihimäki factory in 1990. Its decorative glass from the postwar period remains an important part of Finland’s twentieth-century design history.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent vintage condition. No chips\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHeight: 20 cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":60373802287488,"sku":null,"price":220.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC00793-4117.jpg?v=1794493166"},{"product_id":"an-iden-pottery-rye-bowl-with-multi-coloured-spiral-pattern","title":"An Iden Pottery, Rye bowl with multi coloured spiral pattern (1960s) UK","description":"\u003cp class=\"p1\"\u003eA  ceramic bowl by Iden Pottery, Rye, Sussex, dating to the 1960s or 1970s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA shallow, circular bowl featuring an intricate geometric design of concentric bands in blue, green, pink and earthy tones. Fine incised lines radiate from the centre, creating a distinctive pattern of intersecting circles and lines.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe decorative interior contrasts with the simple, off-white glazed exterior. A characteristic example of British studio pottery from the period, combining geometric decoration with a functional form.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe underside bears the original blue printed Iden Pottery, Rye, Sussex backstamp.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMaker\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eIden Pottery\u003c\/b\u003e was established in 1959 by Dennis Townsend, who had previously worked at Rye Pottery. Initially based in the village of Iden, East Sussex, the pottery expanded and moved to larger premises in Rye in 1966.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eKnown for its distinctive hand-decorated ceramics, Iden Pottery produced a wide range of domestic and decorative wares. Its earlier pieces frequently featured colourful geometric patterns, while later production incorporated more subdued glazes and decoration.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe pottery remained in operation until 2002, when Dennis and Maureen Townsend retired.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent vintage condition, no chips or cracks\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDiameter: 22.5 cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHeight: 5.5 cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":60373804810624,"sku":null,"price":165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC00746-4088.jpg?v=1794493521"},{"product_id":"blue-glaze-vase-by-poole-pottery","title":"Blue Glaze Ceramic Vase by Poole Pottery (1950's-60s) UK","description":"\u003cp class=\"p1\"\u003eA large midcentury ceramic vase by Poole Pottery, England, dating to the 1950s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe vase has a generous, rounded body with gently tapering shoulders rising to a long, narrow neck and slightly flared rim. Finished in a soft powder blue glaze, its simple, sculptural form reflects the influence of modernism on British ceramic design during the postwar period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe underside retains a faint blue Poole Pottery dolphin backstamp. Introduced in 1952, variations of this mark were used throughout the 1950s, with examples dating from 1952 to 1959.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMaker\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePoole Pottery\u003c\/b\u003e, established in Poole, Dorset, developed an international reputation for its decorative and modernist ceramics. During the 1950s, designers including Alfred Read and Guy Sydenham introduced new forms that reflected the growing influence of modernism on British domestic design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood vintage condition with some light surface scratches and marks consistent with age and use. Some discolouration to the unglazed foot rim and remnants of previous labels to the underside. The original dolphin backstamp is faint but still visible. Please refer to photographs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHeight: 29.5 cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":60373813297536,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC00848-4137.jpg?v=1794500674"},{"product_id":"white-glaze-vase-by-poole-pottery","title":"White Glaze Ceramic Vase by Poole Pottery (1950s-60s) UK","description":"\u003cp class=\"p1\"\u003eA midcentury ceramic vase by Poole Pottery, England, dating to the 1950s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe vase has a rounded that tapers towards a narrow neck, finished with a gently flared rim. Its simple sculptural form is complemented by a smooth, ivory white glaze.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn understated example of British postwar ceramic design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe underside bears the blue Poole Pottery dolphin backstamp, introduced in 1952, with several variations used throughout the decade. The mark is consistent with examples dating from 1952 to 1959.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMaker\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePoole Pottery\u003c\/b\u003e, established in Poole, Dorset, developed an international reputation for its decorative and modernist ceramics. During the 1950s, designers including Alfred Read and Guy Sydenham introduced new forms that reflected the growing influence of modernism on British domestic design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCondition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood vintage condition with some light surface marks and scratches consistent with age and use. Some discolouration to the unglazed foot rim. Please refer to photographs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHeight: 20 cm\u003c\/p\u003e","brand":"a fold of chairs","offers":[{"title":"Default Title","offer_id":60373815001472,"sku":null,"price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/files\/DSC00833-4129_dd351c89-04f9-4ece-bae9-efa67153d03c.jpg?v=1794500743"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1842\/3093\/collections\/DSC00249-4163.jpg?v=1794574727","url":"https:\/\/www.afoldofchairs.com\/collections\/for-the-art-of-living.oembed?page=2","provider":"a fold of chairs","version":"1.0","type":"link"}